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Murano glassmaking history is filled with boggling stories of success and innovation. While some glass masters' stories may exist more recent than others, they have all been characterized past clever inventiveness and dazzling dexterity. Amid the near famous families of glass masters in Murano we find Fratelli Toso, with over 150 years of experience in the field. Theirs is a story of true Italian innovation and solid family unit bonds that have endured some of the industry's most challenging times, proving to exist tougher and stronger with the passing of time.

In a menstruum of doom and detriment that damaged Venice and its surrounding islands, the Toso represented Murano'south spark of promise afterward Napoleon'due south fatal occupation. Information technology was the stop of the 18th century, and Murano glass furnaces started to close, while some artisans preferred to simply flee the island. During this period of darkness and gloom, Murano's aboriginal glassmaking techniques and traditions were gradually forgotten. However, the Toso's first steps in the glassmaking industry represented a confident recovery for Murano and its factories.

The whole story began with Pietro Toso and his half-dozen enterprising sons. Ferdinando, Carlo, Liberato, Angelo, Giovanni and Gregorio joined their father in the opening of Fratelli Toso in 1854 (firstly named Pietro Toso all'Insegna di Due south. Giovanni), with Gregorio interim equally first manager. Mostly concentrating on utilitarian objects, they soon institute out their skills were far greater than they thought. As Murano was yet recovering from the invasion, the glass product was by and large aimed at functional objects such as bottles and flasks for pharmaceutical and domestic use. But with the help of Vincenzo Zanetti and with endless hours of piece of work and do, Pietro'south sons developed their skills and perfected their technique for hand made glass. In 1864, x years later on its opening, Fratelli Toso presented a magnificent glass chandelier, produced specifically for the opening of the Murano Glass Museum. This beautiful slice, which earned firsthand acclaim, tin still exist appreciated today at the aforementioned place at Murano Glass Museum.

In 1862, Pietro Toso died, leaving Gregorio at the helm of the visitor. During this fourth dimension, the family business organisation changed names several times, until reaching the one it became famous for: Vetreria Fratelli Toso. Gregorio's unfortunate passing in 1897 left the final ane of the brothers, Ferdinando Toso, to lead the visitor. A few years later in 1902, Ferdinando'southward death left his son Lorenzo in full control of the factory. Lorenzo, forth with his brothers Vittorio, Arnoldo, Giuseppe Gianmaria and Giuseppe Stanislaus, began working under the name of Antica Vetreria Fratelli Toso. In 1917, the factory was transferred to Livorno due to the danger and instability caused by the Beginning Globe War in Venice. After the mill's relocation back to Murano in 1924, the company experienced an unexpected period of low productivity, but the family'south 3rd generation of glass masters would put Fratelli Toso back in the game. Pietro's grandsons Amletto, Armando, Ermanno, Michele, Alfio and Aldo took the reins of the company and introduced it to the 20th century. The company quickly gained recognition amongst the increasing number of American clients, and soon hired important designers such equally Pollio Perelda, Hans Stoltberg Lerche and Rosanna Toso.

Toso family worked with Murano'due south most famous glass masters, including those from the Ferro, the Barovier and the Zuffi families. It was Lorenzo'due south sister Giuseppa, who married Vittorio Zuffi, an important figure in Murano's glassmaking history. Ferdinando's sister Emilia married Francesco Ferro, which resulted in the creation of a separate business called Ferro Toso in 1901, while in 1936 Ercole Barovier joined the latter, transforming it into Barover & Toso, a company nosotros all the same know today.

Fratelli Toso'due south most relevant contribution to Murano's glassmaking history is their beautiful murrine (or millefiori). As ancient as this technique may be, many people are actually very familiar with information technology and would definitely recognize it when shopping through glass stores in Venice. Millefiori starts with creation of a Millefiori cane, which is formed from an assortment of colorful glass canes that have been fused together, thus forming shapes and patterns in the inside. Once the fused canes accept cooled down, they are sliced into small pieces, resulting in tiny round flat beads, known every bit "murrine". These murrine can be assembled and integrated into innumerable creations such equally brooches, earrings, watches, frames and vases; all treated with different fusion techniques. The Toso were then skilled in the product of murrine millefiori during the 19th century that they were called "murrinari". Their collections of millefiori pieces are quite extensive. Some of their collections are the colorful Millepunti (literally "a thousand points"), the Redentore (which mimics fireworks), the Farfalla (or butterfly, which resemble artistic brush strokes) and Cattedrale (simulating the stained glass windows of aboriginal cathedrals).

In 1979, the visitor suffered a harsh economical crisis, forcing the owners to divide it into Antica Vetreria Fratelli Toso and Fratelli Toso International. In 1981, Fratelli Toso International filed for bankruptcy and closed its doors for good. Arnoldo Toso (Ferdinando's groovy grandson), who joined the visitor in 1956, was left to lead Antica Vetreria Fratelli Toso and keeps running it to this 24-hour interval.

An of import role of Murano island's glorious past, the Fratelli Toso archive is one of the widest and richest chronicles in the whole world. Information technology covers more than 150 years of innovation and expertise, going from the renewal of Murano glass manufacture to today's most exquisite and fascinating creations. The company annal includes over 30,000 drawings and sketches, some dating from the 19th century, all documenting the mettlesome steps of the Toso family in the glassmaking industry. The family'due south final goal is to finally produce a monograph that studies the Toso family'due south passage through fourth dimension and their invaluable contribution to Murano glass development. It would be the ultimate memoir of this Italian family of Murano glass masters, finally ready to be shared with the world.

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Source: https://www.glassofvenice.com/blog/the-great-murano-glass-masters-fratelli-toso/